The horror movie, Aswang, directed by Jerrold Tarog, stars the two of the hottest stars in show business, Lovi Poe and Paulo Avelino. It tells the story about a barangay haunted by man-eating creatures called Abuwaks, the type of aswangs that can abruptly transform into “bayawaks” that crawl underground or into “uwaks” that eerily fly up in the sky, searching for flesh to feed on.
Lovi Poe is Hasmin who, unknown to the people in the barangay, is one of the most powerful Abuwaks destined to marry Apo, the seemingly invincible leader of their community. Unlike the other Abuwaks, she does not want to hurt or prey on ordinary human beings. Apo has condemned and killed her parents because of this very belief.
However, Paulo Avelino as Daniel gets into the scene when He, together with fellow assassins, Niña Jose and Marc Abaya, search for the two kids (Albie Casiño and Jillian Ward ) who have escaped in their torturous hands. Out of gas, the kids reach a haunted rural barangay where they are unluckily followed by the notorious syndicates.
The children, being chased by the killers, will be safe under the guidance of Hasmin and the reluctant killer, Daniel, who falls in love with the former. He would risk everything just to free the beautiful Abuwak from Apo’s captivity.
The special effects in the film are believeable. The way how Abuwaks turn into their animal versions and how they burst out from the soil seem artistically real. No doubt, the film presents how local cinema can be parallelled to that of hollywood movies in terms of visual tricks.
The costumes, more particularly the prosthetics applied on the Abuwaks are fine and meticulously done but they do not really scare me. Maybe because I’ve seen such gross images many times already in some movies that they have appeared generic on my eyes.
Lovi Poe is Hasmin who, unknown to the people in the barangay, is one of the most powerful Abuwaks destined to marry Apo, the seemingly invincible leader of their community. Unlike the other Abuwaks, she does not want to hurt or prey on ordinary human beings. Apo has condemned and killed her parents because of this very belief.
However, Paulo Avelino as Daniel gets into the scene when He, together with fellow assassins, Niña Jose and Marc Abaya, search for the two kids (Albie Casiño and Jillian Ward ) who have escaped in their torturous hands. Out of gas, the kids reach a haunted rural barangay where they are unluckily followed by the notorious syndicates.
The children, being chased by the killers, will be safe under the guidance of Hasmin and the reluctant killer, Daniel, who falls in love with the former. He would risk everything just to free the beautiful Abuwak from Apo’s captivity.
The special effects in the film are believeable. The way how Abuwaks turn into their animal versions and how they burst out from the soil seem artistically real. No doubt, the film presents how local cinema can be parallelled to that of hollywood movies in terms of visual tricks.
The costumes, more particularly the prosthetics applied on the Abuwaks are fine and meticulously done but they do not really scare me. Maybe because I’ve seen such gross images many times already in some movies that they have appeared generic on my eyes.
The sound effects are satisfactory and appropriate but It do not really make me jump off my seat. What I love though is the cinematography and how it creatively flashbacks past events in the characters’ lives. It also magnificently captures the beauty of the plains and forests. The scene where Paolo Avelino chases Lovi Poe in the woods reminds me of Twilight. The part seems cheesy but it has a cool effect amidst the gloominess happening around the place.
Antagonist Marc Abaya entertains me with his funny antics. Niña Jose is just one hot killer. Lara Quigaman and Joem Bascon’s characters as Abuwaks integrate the entire story.
The film is a good watch since it tackles on the cultural belief of Filipinos regarding Aswangs. As children, most of us are totally scared when we are teased on being followed by an aswang as a form of discipline adults applied on us just so we will act properly. Until now, we can hear stories of aswangs living in some secluded barangays that continue to live with humans. We hear that they can turn into cats, dogs, or whatever animal they can disguise themselves into. The film is a good representation of this belief. Nevertheless, it shows the real meaning of peace – that behind the differences between the creatures God created, it is in loving one another that will bring us to ultimate prosperity.
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